Renaissance and Baroque at The Met

-


The Coronation of the Virgin Mary by Annibale Caracci (Italian, 1560-1609) 

   This particular picture was painted for Cardinal Pietro Aldobrandini of Rome in 1595. Annibale brought together two characteristics of baroque painting: it is an oil on canvas piece with a Roman style sensitivity to the effects of natural light and color, and the spatial organization and idealized figures associated with the Renaissance. With the Virgin Mary being the centerpiece of this painting, one can see the Roman Catholic influence on artwork during this period. Raphael’s frescoes in the Vatican inspired this composition, while the figure of God the Father was based on an ancient Roman sculpture. The paintings dimensions are rather large at 46 3/8 x 55 5/8 in. (117.8 x 141.3 cm)
Madonna And Child by Duccio di Buoninsegna (Italian, 1278–1318)

This piece, believed to have been painted between 1290-1300, is Tempera and gold on wood and has dimensions of (Overall with engaged frame, 11 x 8 1/4 in. (27.9 x 21 cm); painted surface 9 3/8 x 6 1/2in. (23.8 x 16.5 cm) Duccio places great emphasis on touch; the child's slight grasp of his mother's (Madonna) veil, the left index finger bent under the fold of his robe, and the way Christ's right foot gently makes contact with his mother's wrist and sleeve. The style is also extremely representative of the renaissance time period with its use of illusionistic parapet, based on the fictive architectural surroundings of the frescoes of the life of Saint Francis in the Basilica of San Francesco, Assisi.




Comments

Post a Comment

Popular posts from this blog

Impressionism/Post Impressionism

-
Image
"Warmed by Love" by Leonid Afremov          In 1874 a group of painters decided to oppose academic doctrines and romantic ideals to turn to a more contemporary life. They began quickly painting pictures under constantly shifting conditions  of landscapes and ordinary scenes. This particular style of painting became known as impressionism and focused on what the eye sees, as opposed to what the mind knows. The characteristics of impressionism are as follows. The artists used short, thick strokes of paint that quickly capture the essence of subject, rather than its details. By using pure unblended colors the optical mixing of colors occurs in the eye of the viewer by placing them side by side. Rather than neutral white, grays, and blacks, impressionists often rendered shadows and highlights in color. Pure impressionism avoids the use of black paint. The play of natural light is emphasized in close attention is paid to the reflection of colors from object to object. In
Read more

MoMA

-
Image
Sky Catherdral by Louise Nevelson c. 1958         Ukrainian born sculptor Louise Nevelson shared an affinity with the works of Abstract Expressionism. Although Nevelson wasn’t primarily a painter, she exhibited a keen interest in composing large scale works that specifically experimented with line, flatness, and scale. Similar to a few of her contemporaries such as Mark Rothko and Barnett Newman, she was deeply intrigued by spritual transcendence and the sublime. During the 1940s and 50s Nevelson traveled to Central America and was completely awestruck by the “world of geometry and magic” she saw in the Mayan Ruins. This style of reoccurring geometric patterns and shapes are very prevalent throughout Nevelson’s compositions. Sky Catherdral  evokes a sense of divinity. It’s structure resembles that of a temple or place of devotion to prayer. This piece is composed of wooden compartment filled boxes stacked against a wall. Each box consists of wooden materials including furnitur
Read more

Félix González-Torres Outline

-
Image
FÉLIX GONZÁLEZ-TORRES ( November 26, 1957-January 9, 1996) Intro  • Cuban born American visual artist (born in Guáimaro, Cuba) • openly gay sexual orientation often seen as influential in his work • sent to an orphanage in Madrid, Spain as a young boy • later relocated to Puerto Rico in 1957 • graduated from Colegio San George in 1976 and began art Studies at University of Puerto Rico in 1976 • moved to New York City in 1979 with a study fellowship • participated in the Whitney independent study program in 1980 • attended the program again in 1983 and received a BFA in photography from the Pratt Institute of Art • traveled to Europe and studied in Venice in 1986 • awarded the degree of Master of Fine Arts by the International Center of Photography and New York University in 1987 • in the same year joined a New York-based group of artist called Group Material  • worked collaboratively adhering to principles of cultural activism and community education • taught at New
Read more